I notice that another year has passed, and still not a single prisoner at Guantanamo has been afforded an actual trial. Since last year, however, we have seen the Military Commissions Act of 2006, that singularly fucked up bit of Orwellian nightmare.
David Lynch used to have this comic strip, The Angriest Dog in the World, introduced thus:
The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.
Guantanamo and the MCA make me think of that dog.
What I mean by that is that thinking about this administration and its attendant lies and horrors makes me so angry that I can sometimes barely function, much less write coherently about them.
But then now somehow I’m also thinking about the dog itself, perpetually chained, day and night, the same in every panel. For those of you unfamiliar with the work, it’s an example of a constrained art. Each edition of the comic is the same four panels, the first three the dog chained and growling in the daytime, the fourth the same dog & chain & growling, only at night. The only thing that changes is a word balloon or two, indicating something being said by someone in the house, the house of the yard where the dog is perpetually chained.
And so we have the dog now as metaphor. Perpetually chained.
That strip ran for years in the LA Weekly. Go here for some examples, my favorite of which being “Malathion and its oxygen analog maloxon are carcinogenic in Osborne-Mendel and Fischer-344 rats.”